Young American Woman Is Red-Lighted, Badgered and Humiliated for 3 Hours at a West Bank Checkpoint

Israel/PalestineUS Politics
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Anna Baltzer, a Jewish anti-Zionist from California who works tirelessly on The Issue, is about to go back to Palestine. Lately she has (published this letter in the Washington Times and) sent out an email to her friends describing her humiliation at a checkpoint 3 years ago. (I see it's been posted here.) It's a great story in a horrifying way, faceless loudspeakers, holding pens, shouting, crying, singing, searching, and so on and so forth, as Chomsky likes to say, all culminating when a weeping Baltzer smashes her food on their machines. It is important to consider that Baltzer's angry resistance at the checkpoint, for instance, taking pictures, might have resulted in further detention were it not for the fact that she is an American and the U.S. consulate apparently intervened. Anna Baltzer:

Held at Einab Junction: Inside Israel's New Terminals

When I first the West Bank in 2003, checkpoints were controlled by
young Israeli soldiers, nervously clutching their weapons and yelling
at Palestinians to stay in line. When I returned in 2005, I found many
checkpoints replaced by metal turnstiles into which Palestinians were
herded to wait for soldiers to push a button, letting them through one
by one or sometimes not at all. Each year I return, the method of
control over Palestinian movement is further institutionalized, most
recently Israeli terminal-style buildings, entirely separating
soldiers from the Palestinians whose movement they are controlling.

I first encountered one of these terminals after visiting a women's
cooperative in Tulkarem to purchase embroidery to send home. Because
there are no reliable postal services in the West Bank, and because I
did not want to risk the products being damaged or confiscated by
Israeli airport security if I transported them in my luggage, I knew I
would have to send them to the US from a post office in Israel. I had
traveled from Tulkarem to Tel Aviv once in the past by taking a shared
taxi to the nearby Einab junction, where I had walked from the
Palestinian road to the Israeli one and caught transport into Israel.

This second time, I was traveling with my backpack and six plastic
bags full of embroidery, and I assumed the trip would be as
straightforward as it had been in the past. When I arrived at Einab
junction, I found a large new building, fortified by several layers of
metal fences, walls, and gates. The first layer reminded me of rural
parts of the Wall—wire fence reinforced with electric sensory wire and
razor wire with a heavy iron gate. The gate was open but nobody was on
the other side. I walked through and came to two large iron turnstiles
surrounded by a wall of iron bars. The turnstiles were locked.
Frustrated, I put down my six bags to rest for a moment. Maybe someone
would come back? I waited, but still there was nobody.

I called out. "Hello? Anybody there?"

"Please wait a moment," a staticky voice above me blared. I looked up
to find a speaker attached to the turnstile.

I didn't have much choice but to wait.

Whoever was operating the turnstiles didn't seem to be in much of a
hurry, so I took out my camera.

"Excuse me!" the voice snapped.

"Yes," I answered as I took my first photo.

"Please put your camera away immediately! "

"Please let me in immediately, " I answered.

"I said to wait," said the voice, and I answered, "And I am waiting."

The light above the turnstile turned from red to green and I put away
my camera and picked up my bags to walk through. It was difficult
squeezing into the tight rotating cage with all my bags, and by the
time I'd made it to the other side, I was hot and cranky.

In front of me was a metal detector surrounded by iron bars. I began
to walk through but the voice called out from another speaker above:
"Stop!"

I continued through the metal detector and groaned, "What?!" into the
air, wondering where he was watching me from.

"Go back and put down your bags."

I went back through the metal detector and set down my six bags, which
were feeling heavier by the minute. I took the opportunity to take
another picture. The soldier didn't bother protesting this time, but
ordered me to walk through the metal detector again.

I tried to pick up my bags again but he ordered, "No, without your
bags." I walked through. Nothing happened.

"Now, go back."

I closed my eyes with a sigh, walked back, picked up my six bags, and
walked through again before he could give me the order to do so.
Somehow this seemed so much worse than the turnstiles and metal
detectors I had seen at Huwwara checkpoint. At least there you could
see the people humiliating you. Or maybe it was more upsetting because
I wasn't used to being the one humiliated.

Beyond the metal detector was another set of turnstiles, locked again.
I took a deep breath and stared at the red light, hoping to see it
turn green rather than let the guard hear my voice crack if I spoke.
Thankfully, the turnstile buzzed and I squeezed through to reach the
building itself. That was the end of the pre-screening. Now it was
time for the real screening.

The inside of the building reminded me of an airport terminal—high
ceilings and multiple floors, and multilingual signs for travelers.
The ones here read, "Prepare documents for inspection" in Hebrew,
Arabic, and English. The signs didn't clarify where one was supposed
to go, however. There were a series of five doors with red lights on
top, and I called out, "OK, my documents are ready… Now what?" I had
yet to see a human face.

This time nobody answered, so I asked again. Again, nothing. I set my
bags down, annoyed. My back was hurting, I was sweating, and I didn't
know where I was or what was going to happen to me. I yelled, "Is
anybody there?! Hellooooooo! "

Eventually a second staticky voice came through from a speaker on the
wall. "Please proceed to the door."

"Which door?"

"The one on the left."

"Left of what? Where are you?"

"I can see you," the voice said. "Walk backwards and go left."

I saw a door behind me on the left and carried my bags over to it.
Above the door was a red light, which I stared at. Nothing happened. I
was ready to cry. "Now what?" I yelled. Silence. I yelled again, even
louder.

"What am I supposed to do?!"

"Calm down!" yelled a cheerful soldier walking by on an upper level
above me. He was finishing a conversation on his walkie-talkie, and
put up his hand for me to wait. I glared at him. "Go there," he
pointed to another door near the one I was standing at, and began to
walk away.

"No, please!" I blurted out, forgetting my policy of not pleading with
soldiers. "You're the first human face I've seen and I'm starting to
lose it."

He motioned towards the door and promised that if I stood there, the
light would eventually turn green. I picked up my bags, approached the
door, set them down, and waited. Eventually, the light turned green,
this time accompanied by a little buzz that unlatched the full iron
door. I expected to find a soldier on the other side, but as the
heavy door slammed behind me I found myself in a tiny room with white
walls, no windows, and a second iron door. That door eventually buzzed
as well, and I struggled to open it as I held my bags, settling to
kick one in front of me instead.

The next room had three walls and a double-paned window with a soldier
on the other side. The soldier asked for my ID and I slipped it under
the glass. He tried to make small talk and asked me what part of the
United States I was from. I told him flatly, "For the first time in my
life, I want to blow something up."

He must not have heard me because he let me through to the next tiny
windowless room. The next buzzing heavy door led out into the other
open-spaced side of the terminal, where I picked up the pace, hoping
to get out finally, an hour after I'd arrived. No such luck.

One more soldier behind a window beckoned for my passport again.
"Where's your visa?" he asked, not finding the stamped slip of paper
issued by Israel when the passport itself is not stamped. I answered
truthfully, "They told me at the airport that there were none left and
that it would be OK." As the words came out, I realized how absurd
this sounded, and I kicked myself for falling for it when I'd flown in
the week before. How could the airport run out of visa sheets? Wasn't
it more likely that they were deliberately trying to inhibit my travel
in the Occupied Territories?

It was hard to blame the soldier, since, for all he knew, I'd snuck in
over the hills of Jordan. "Whatever," I sighed. "Call airport
security—I promise I'm in the system."

I knew it would be a while, so I sat down again. I thought I was past
the point of anger until I noticed a line of 25 or so Palestinians
waiting outside to come in from the other direction, heading back to
Tulkarem. Had they been waiting there all this time? Why weren't they
being processed? I asked the guard holding my passport and he said
he'd tend to them after I left.

It was one thing to feel frustrated and humiliated, but another to
know that my ordeal had held up dozens of Palestinians from getting
back to their homes and families. "Wait," I said. "Are you telling me
that in your fancy new facility you can't process people coming in two
directions? Don't let the problem with me delay these people any longer."

He told me not to worry, that the Palestinians were used to waiting.
This made me even more upset. I insisted that I would rather wait
longer myself, and eventually he beckoned the group forward. I
marveled as they waited patiently and yet somehow not submissively,
beacons of dignity next to my defeated and angry presence. I took out
my camera and took a few photos. Within seconds, a guard appeared next
to me—in person, nothing but air between us!—and said sternly, "Come
with me."

I followed the guard back towards the section of the terminal from
which I had just come. We passed through the windowless rooms and into
a new room with crates on the floor. From there, the guard opened
another, even heavier iron door, and motioned for me to pass ahead of
him. Expecting the guard to follow me in, I turned and instead found
him placing my bags into the crates. Realizing that soldiers were
going to go through my bags, I demanded to be present during the
search to ensure that nothing would be damaged or stolen. "That's not
possible," the guard said flatly, and the door slammed shut between me
and my belongings.

I kicked the door with frustration, realizing that all my contact
information for Palestinian organizers and friends was still on my
computer. I realized that I still had my phone in my pocket and
quickly called my friend Kobi, an Israeli activist. I told him where I
was and asked if he might make some calls on my behalf. He said he'd
do what he could and we hung up.

I looked around the room. It was empty except for a chair and an empty
crate on the floor. There were no other doors, but there was a
two-paned window with a soldier watching me from the other side of it.
"What are you looking at?" I snapped at the soldier, and he walked out
of view. Another soldier appeared, a young woman. She spoke into an
intercom so that I could hear her through the window. "Please take off
your clothes and put them in the container on the floor."

It took a moment for the words to sink in. Once they had, I looked the
soldier straight in the eyes, and I began to undress. I removed each
piece of clothing slowly, not once taking my eyes off hers. I watched
her with a look of hurt. I wanted her to see that she was not just
searching me—she was humiliating me. Several times she looked away.
When I was down to my underwear, the soldier stopped me; she said that
was enough. A part of me wished that she hadn't. Perhaps if I were
completely naked, she would more likely recognize the extent of my
humiliation and her role in it.

The iron door behind me buzzed and the soldier told me to place the
crate containing my clothes and phone into the room where I had last
seen the guard. My other belongings were long since gone, and I could
hear soldiers in the next room going through them. When I got back to
the room, the soldier in the window was gone. I sat down on the chair
and waited. The soldiers next door were chatting and laughing. I
imagined them examining my personal photographs and letters. I was too
upset to sit still. I stood up and started pacing back and forth in
the small room. I had to do something—anything— to express my emotions.
If I could hear them, then they could hear me. I began to sing.

I sang an old song that I'd learned at summer camp as a child. Its
words were meaningless, but I sang it at the top of my lungs. Within
seconds, the female soldier was at the window, looking alarmed. I
waved. I sang that stupid song until my voice hurt. It felt good to
sing—I felt empowered. It was easier to act like a crazy person than a
prisoner. If I was unpredictable, then they had lost the power to
control me.

Half an hour passed. Or was it an hour? My energy had worn off and I
sat down miserably on the chair. I was tired. The soldiers were gone
from the next room now. What was taking them so long? It was cold in
the room, and I had nothing to cover myself with. I began to shiver
and rock back and forth on the chair. I had no more energy to yell. I
began to cry. I cried for what felt like a long time. Eventually, the
female soldier appeared in the window. I could tell she felt bad for
me. I looked away. The door buzzed and she instructed me to open it.
On the other side was a jacket and a cup of water. I put on the jacket
and drank the water to soothe my throat, but I was unimpressed. I
didn't want a jacket or water. I wanted my freedom to leave. I wanted
my dignity back.

Time passed. I stopped looking at the soldiers and talking to them. I
stopped thinking of ways to pass the time or express myself. I didn't
even feel like myself anymore. I felt empty, defeated. I just sat and
waited, with a feeling of profound loneliness.

After what felt like an eternity, the iron door buzzed and I opened it
to find all my clothes and bags in a large pile brimming over the tops
of the containers. The soldiers had emptied every single item
separately into the crates. The papers from my notebook were strewn
about loosely. Each piece of embroidery had been removed from its
protective wrapper and crumpled into a pile. A can of tuna had been
opened and left amidst the hand-sewn garments. Even the boxes of
Turkish delight—a soft sticky candy covered with powdered sugar, which
I'd brought for some friends—had been opened and rummaged through.

The only thing stronger than my anger was my desire to leave. I sat
down miserably and folded everything back into my bags. I was crying
uncontrollably, but I bit my tongue each time I was tempted to speak.
When I was dressed and ready, I stood up, collected myself, and tried
to open the door. It was locked.

"The door's still locked," I informed the soldier watching through the
window.

"Yes, please wait a little longer."

"Why?" I asked. "You saw everything I have. You know I'm not a
security threat, and surely you know by now that I have a visa."

"I'm sorry but you're going to have to wait," she said.

I couldn't hold myself back any longer. I lost it. I opened up my bags
and took out what was left of my canned tuna. With my fingers, I began
to spread the oily fish all over the window.

"What are you doing?" asked the soldier, disturbed.

"You don't respect my stuff, I don't respect yours," I answered.

Next, I opened a box of Turkish delight. "I'm not going to stop until
you let me out," I announced as I began mashing the gummy cubes into
the hinges of the iron door.

"OK, OK," said the soldier's voice over the intercom. "You can go
now." The door buzzed.

I gathered my bags and walked out. A soldier was waiting for me on the
other side. He gave me my passport and said I was free to leave. I
called Kobi as soon as I was outside. He said it was the US Consulate
that had helped get me released. The army claimed they were holding me
because of the photographs I had taken inside the terminal.
Interestingly, they hadn't bothered to delete the images from my
camera when they searched my bags.

I told Kobi what had happened. I felt as if I had lost a part of
myself inside that terminal as I had slowly lost control. Kobi
reminded me that even the option of losing control was a sign of
privilege—Palestinia ns who behaved as I had would not likely have been
freed. I tried to imagine what it would be like to endure such an
invasive screening every day of my life.

Kobi told me a story about his Palestinian friend, Sara, whom he'd met
in Maryland. Sara would frequently travel back and forth between her
home in Palestine and the United States, where she was studying. Each
time she returned to Palestine, she was able to walk right through the
checkpoints. She had enough confidence to just assert her will and go
through, simply by the fact that she was used to being treated like a
person. And each time, after a few months in Palestine, she would lose
that ability.

In just a few hours I had gone from empowerment to craziness to
submission to destructiveness. What would I become after months of
such treatment? What about a lifetime of the even worse treatment that
Palestinians experience?

It was dark outside the terminal as I hung up the phone. I had been
held for 3 hours, and there were no more buses running. I could see
the lights of a settlement on a nearby hill. I began walking in what
seemed like the direction of Tel Aviv. I stuck my thumb out to the
occasional passing car, and eventually a settler stopped. He moved his
gun out of the front seat so that I could get in. Feeling lousy about
it, I accepted a ride to the nearest bus stop from where buses were
still running to Tel Aviv. I boarded the first bus out and cried the
whole way back to the city.

About Philip Weiss

Philip Weiss is Founder and Co-Editor of Mondoweiss.net.

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