Recognizing that the San Francisco Jewish Community Relations Council has an established track record of targeting Palestinian cultural expression, I wrote directly to JCRC Executive Director Doug Kahn to find out if they were involved in the board’s sudden decision to cancel the show. Indeed it seems they were, though perhaps not alone. This was his response in full:
East Bay JCRC, working closely with the Jewish Federation of the East Bay, shared with the leadership of MOCHA our concerns about the inappropriateness of this exhibit given the fact that MOCHA – an important and valued community institution – serves very young children.
(MOCHA has only stated that they received complaints “from Jewish groups as well as others in the community.”)
However, it doesn’t seem likely that this is about concerns for children’s sensitivities to war imagery. As the San Francisco Chronicle pointed out in its coverage of the incident today, MOCHA has a significant track record of showing the artwork of children living under war, including WWII, without incident. These images apparently aren’t substantively different.
This is, however, about giving voice to Palestinians-in this case children- who endured a simply extraordinary attack on an illegally captive population of 1.5 million people otherwise known as Operation Cast Lead.
The Israel government and its proxies pulled out all of the stops to undermine criticism of the Operation which drew nearly universal condemnation and triggered massive protest marches around the world. An unprecedented smear campaign was launched against a respected Jewish South African jurist named Richard Goldstone who led a UN task force examining Israeli and Hamas war crimes.
The canceling of the art show should be seen in the context of the Goldstone smear campaign, as well as previous successful efforts by a handful of Bay Area Jewish communal organizations to determine what Palestinians can and cannot say. (In contrast, exhibit organizer, the Middle East Children’s Alliance, enjoys significant Jewish support, and the Bay Area chapter of Jewish Voice for Peace is one of many exhibit co-sponsors.)
In 2007, the JCRC pressured San Francisco State University to change the content of a mural dedicated to the late great Palestinian intellectual Edward Said. It’s worth looking at the mural and then reading the JCRC’s critique to understand the depth of their fear of imagery that is so essential to Palestinian memory of fleeing or being expelled from their homes to make way for the then new state. It is odd, to put it mildly, to read Jewish communal professionals so closely aligned with the Israeli Consulate offering in depth art critiques of Palestinian symbolism in a policy-making capacity.
Read the entire piece here.