Hatim Kanaaneh demonstrated against the movie “Exodus.” And he’s not feeling great about Spielberg’s plans for “Apeirogon,” Colum McCann’s novel in which Israeli characters are more fleshed out than Palestinian ones.
Hatim Kanaaneh reviews Rashid Khalidi’s latest work ‘The Hundred Years’ War on Palestine’: “Though I have read a good number of histories of Palestine, I hardly turned a page in Rashid Khalidi’s new book that didn’t surprise me with new and well-documented information about my own history.”
Long read: Physician Hatim Kanaaneh returns to Arab al-Naim, a rare case for Bedouin villages in the Galilee where the community gained recognized status after a decades-long battle for paved roads and running water.
After Reuven Rivlin greeted Palestinians at an Iftar meal, “Your home is my home,” Hatim Kanaaneh wonders: “Could the president have such an odd sense of humor? Could he be on such close terms with his Muslim friends that he had decided to needle them a little about who now lives in whose house?”
Last week, the German Parliament passed a resolution that demonizes the Palestinian Boycott, Divestment and Sanctions campaign against Israel. Hatim Kanaaneh writes to German politicians, “you dare to pass judgement on us for peacefully demanding our rights under international law. Now you have the audacity to ascribe to me your predecessors’ innermost ugly sentiments in order to aid and abet our continued victimization as surrogate Germans and anti-Semites.”
A surprising musical ensemble called Siraj in a Palestinian village in the Galilee has overcome discriminatory and cultural hurdles to put on professional performances and innovatively adapted some of the iconic pieces of Arab composers and singers from the 20th century, from Um-Kalthoom to Fairuz. Hatim Kanaaneh reports.
The Birmingham Holocaust Education Center has trampled on the credo, Never Again, by objecting to Angela Davis’s humanitarian award because she supports Palestinian rights. Dr. Hatim Kanaaneh calls on the Education Center to apologize for the damage it has done to Palestinian human rights.
Amos Oz was a refined literary craftsman, writes Hatim Kanaaneh. But he also “functioned as the literary equivalent of Shimon Peres, the Nobel Peace prize laureate who introduced nuclear weapons to the middle East. Oz used his superior skill to apologize for Israel’s aggressions and war crimes.”