Following Gilad Shalit’s capture in 2006, Israel bombed Gaza’s infrastructure and killed nearly 200 people. But the Netflix show “Fauda” adheres to the liberal Zionist ideology so it retells the story to show the the Israeli commandos shed little blood, and the Hamas mastermind is a sellout. And memo to the producers– Palestinians only say “habibi” as a same-sex greeting.

Travel restrictions are among the most incapacitating consequences of Israel’s military occupation — so extreme that the very idea of travelling has become a phobia for many. And if you’ve spent days in lockdown trying to get in and out of Gaza, as Emad Moussa has, you know how these fears prey on all Gazans.

Fifteen years ago Israel left its settlements in Gaza, and Gazans dreamed that the end of military checkpoints to protect Jewish settlers and bulldozed citrus groves and barriers to the Mediterranean Sea meant an end of occupation. What a savage illusion that was, though Emad Moussa recalls the dreams of that day.

In order to legitimise the Jews’ right to Palestine, Zionism sought to delegitimise the Palestinian existence in the land. That involved a largely psychological process of ‘nativisation’ of European Jews and ‘de-nativisation’ of Palestinians. The term ‘Arab’ was one of the tactics used to achieve such goal.

The Netflix series “Fauda” attempts to rewrite the cliched one-sided Hollywood narrative of the conflict, but only to a point. It has a hierarchy of victims, in which Jewish Israelis are at the head of the line, and repeatedly slips back into all-too-common Israeli narratives about the Other.