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‘5 Broken Cameras’ plays NY and Tulsa, ‘Gatekeepers’ makes NPR

You can now buy the DVD of the documentary about resistance in Bil’in, 5 Broken Cameras, that is up for an Oscar. I urge you to buy Emad Burnat’s devastating chonicle of the crushing of noble spirits in a tiny village under occupation, and if you agree with me, talk it up and build the buzz. Here are the playdates for the movie: New York, Notre Dame campus, Sebastopol, Tulsa, Oklahoma City, Boise, Columbus, Lakewood FL. Not exactly the yellow brick road, but if you’re in the neighborhood you should check it out now.

5 Broken Cameras is one of two anti-occupation films nominated for best documentary in the Academy Awards this year, and the line is that The Gatekeepers is the favorite of liberal Zionists, and 5 Broken Cameras is the favorite of anti-Zionists. NPR ratified that view yesterday in a long sympathetic interview by Robert Siegel of Gatekeepers maker Dror Moreh that felt very Inside Israel. Moreh spoke mournfully of Israel losing: he spoke of the importance of holding a mirror up to Israelis through the interviews of the government intelligence chiefs who give the film its title, he spoke of the West Bank as Judea and Samaria, he said his subjects had created security after the Second Intifada and an obligation to negotiate that Israel had squandered, resulting in Israel’s isolation.

We should be grateful that Israel’s dire straits are being explained to American listeners, but there is an official tone to this explanation. Siegel at one point referred to Palestinians as “these people,” a characterization that in earlier times in our country would be seized upon as condescending, even racist. Moreh also used the word “leftist” in an Israeli way– meaning fruitcake. But maybe the left is saying the truest things about the occupation, and maybe Siegel could reflect that a little? Some excerpts:

SIEGEL: To a man, they [the intelligence chiefs] seem to say, there’s no way that Israel can simply defeat the Palestinian by force. You got to negotiate with these people.

MOREH: What does it mean, victory? I mean, defeat Palestinians by force? Yes, we can. We did that a long time. We did that many times. But at the end of the day, what do we want? And this is something that they accuse the leadership of Israel that the leadership of Israel was acting tactically and not strategically. And this is a very core issue in the movie. Where do we take those victories – numerous victories – to a better future for the Israeli people?…

SIEGEL: You’ve said that you wanted to make this film because, in your words, Israel is losing. What do you mean by that?

MOREH: Look, I think that when you look at the last 45 years, the situation in Israel is only deteriorating. I don’t think the Israeli citizens feel more secure now, on the contrary. And I feel that if unless the Israeli-Palestinian conflict will be solved, Israel will found itself isolated – not talking about the ramification of this conflict on the Israeli society now. So leaders has to lead. This is their job. They have to that.

And I wanted, in a way, to create a mirror in front of the Israeli public, told by those people most responsible for the security. And that, the words they say cannot be washed way like they don’t understand or they are leftists.

Thanks to Susie Kneedler.

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The Segal and Moreh discussion presents to me the most disgusting face on the situation, and the one that is almost exclusively presented. And it’s also the reason why liberal zionist groups repulse me.

They discuss the matter in the context of “how does the occupation affect israel.” or “affect israelis” or “affect zionists around the world.” My response: “Who gives a shit?” How morally corrupt and mentally deficient does one have to be in order to do that? How ethno-centric? We should condemn zionism because of the pain it necessarily inflicts on its victims. Who gives a damn how it affects the perpetrators of the crime?

Do we condemn the Holocaust because of how it affected the Germans? No. We have sympathy for the victims. Do we condemn slavery because it made the white slave owners into hardened reactionaries? No. We have sympathy for the victims. Do we condemn Apartheid because it made it so that the Afrikaners couldn’t be a light unto the world or some such nonsense? No. We have sympathy for the victims.

The same here. We shouldn’t discuss this issue from the perspective of how it affects the Jews in occupied Palestine. We should have sympathy for the victims. Period.

i’m no siegel fan, but the ‘these people’ criticism isn’t fair. he seems to be channeling ‘israeli intelligence chiefs’. in any event, he’s an ass.

I don’t know how anyone can follow the news in Israel and Palestine without reading Mondoweiss. Why doesn’t NPR consider the Neo-Zionist/Anti-Zionist fault line? Do they enforce a tabu on Anti-Zionist thought and speech? Are they redefining some prior tabu as Neo-Zionist now OK/Anti-Zionist still not OK? How do they reconcile tabu maintenance with their role as journalists? as Americans?

RE: “You can now buy the DVD of the documentary about resistance in Bil’in, 5 Broken Cameras, that is up for an Oscar. I urge you to buy Emad Burnat’s devastating chonicle . . .” ~ Weiss

MY COMMENT: I certainly do not want to discourage anyone from buying the DVD, but the film 5 Broken Cameras can also be streamed from Netflix.
5 Broken Cameras, 2012, NR, 90 minutes
In this moving documentary, a Palestinian farmer chronicles his village’s nonviolent resistance to the presence of encroaching Israeli settlers and military. As camera after camera gets shot or otherwise destroyed, the farmer continues filming.
Language: Arabic (with English subtitles)
Netflix formats: DVD and streaming
• Netflix listing – http://dvd.netflix.com/Movie/5-Broken-Cameras/70229917
5 Broken Cameras – Official Trailer [VIDEO, 01:57] – http://www.youtube.com/watch?v=XID_UuxiGxM
5 Broken Cameras: ‘The camera is a very strong weapon’ [VIDEO, 06:05] – http://www.youtube.com/watch?v=VdWGYvMeDyU
“5 Broken Cameras”: Home Videos Evolve Into Film on Palestinian Resistance to Israeli Wall [VIDEO, 11:54] – http://www.youtube.com/watch?v=RQ2hqOJqYHs
5 Broken Cameras – Interview with the Director Emad Burnat & Guy Davidi on BYOD at Sundance Rmx6 [VIDEO, 22:19] – http://www.youtube.com/watch?v=lPlBpyhvkMM

To think that it was 37 years ago that the brave and honorable Vanessa Redgrave brought the violent acts of Zionist up and the confiscation of Palestinian land 37 years ago at the Oscars and now this film about the same issue is up for an Oscar. 37 years. Generations of Palestinians being brought up in refugee camps and under occupation. Better late than never. Easy for me to say I have not had my land stolen and been living under occupation