Mer Khamis, who gave his life to Palestinians, will be remembered by friends tonight in New York

"We are meeting at the New York Theatre Workshop at 6PM to hold each others' hands," says a friend. That's 79 East 4th St. Please say a prayer for Juliano for me too, that's where I met the handsome charismatic darer.

Statement from the Jenin Freedom Theatre friends:

The board members of The Friends of the Jenin Freedom Theatre are shocked and saddened to learn of the murder of Juliano Mer Khamis, director of The Freedom Theater, in Jenin.

Juliano, who never wavered in his opposition to the Israeli occupation of Palestine, devoted and ultimately gave his life to the Palestinian people. He followed in the footsteps of his mother, Arna Mer who had established The Learning Project to help the children of the Jenin refugee camp deal with the trauma and brutality of Israel's response to the first Palestinian intifada.

In co-founding The Freedom Theatre with Zakaria Zubeidi, Juliano put art and culture in the service of resistance to Israel's occupation of Palestine. Since it opened its doors in 2006, The Freedom Theatre has brought theater productions, filmmaking, cinema, drama therapy, acting instruction, creative writing, photography instruction and much more to the Jenin refugee camp.

Founded on little more than a shoestring and a belief in the urgency of cultural resistance to occupation, The Freedom Theatre has attracted major support from supporters in Europe, the US, the Gulf States, and the United Nations.

Juliano was the artistic vision and inspiration of The Freedom Theatre. His murder, by an unidentified man, is both a tragedy and a reminder of the urgent need for unity in the struggle for freedom. We extend our deepest sympathy and condolences to Juliano's wife and children, and to his partners and students at The Freedom Theater. We are steadfast in our support of its important work.

About Philip Weiss

Philip Weiss is Founder and Co-Editor of Mondoweiss.net.
Posted in Israel/Palestine

{ 7 comments... read them below or add one }

  1. annie says:

    RIP Juliano

    this is so tragic

  2. Avi says:

    Juliano Mer Khamis was invested in making the lives of others more hopeful and cheerful. Anyone who has worked with children is surely familiar with the appreciation they have for whomever brightens their day — even a little — or gives them strength and hope for a better future.

    Juliano’s loss will be felt by many. Whoever committed this senseless act has destroyed the lives of many. And Juliano’s wife is reportedly pregnant with twins.

    It is sad to see you go.

  3. Shmuel says:

    Review: Arna’s Children
    Arjan El Fassed, The Electronic Intifada, 11 December 2003

    Speechless. Silent. I could not move. I just sat there, watching the screen, the scrolling text of dedication and the names of Arna’s children: Youssef, Nidal, Ashraf, Ala, Zakaria and the others. Arna’s children form a small theatre group of Palestinian children in Jenin refugee camp.

    The film begins with a shot of Arna, Juliano Mer’s mother. She is bald, due to cancer, covered with a kaffiyeh, and is screaming at
    Palestinian cars that they can pass through a nearby Israeli military roadblock. Arna Mer comes from a Zionist family. In 1948 she served in the Palmach. She became a member of the Communist Party and married Saliba Khamis, a Palestinian from Nazareth. During the previous Intifada, Arna moves to Jenin and established an alternative education system for Palestinian children, after the schools were closed by the Israeli occupation.

    Through her dedication to the children, Arna Mer Khamis plays an important role in the Jenin community. The theatre group that she started engaged children from Jenin refugee camp, helping them to express their everyday frustrations, anger, bitterness and fear.

    Arna’s son Juliano, director of this film, was also one of the directors of Jenin’s theatre. All those years, from 1989 to 1996, Juliano used his camera to film the rehearsals and performances of the plays. Arna Mer Khamis was awarded for her work with the Right Livelihood Award, an alternative Nobel Prize from the Swedish parliament. With the $50,000 award she set up a small theater in the refugee camp.

    The film shows the Nidal, the youngest, his brother Youssef and their best friend Ashraf, “the shorty with the big smile.” We see them playing, acting and laughing. We also meet their friend and neighbour Ala. He is 9 years old and sits on a pile of rubble. He witnessed the destruction of his home. Israeli soldiers blew up the building, causing the collapse of the home of their neighbours. Both Ashraf and Ala witnessed the destruction of their respective homes. Through playing and acting they try to cope with their memories of the refugee camp and daily reality.

    Later Juliano went back to Jenin. First with his mother, who suffered from cancer and who wanted to pay a last visit to the camp. After his mother died and years after the theatre has closed, Juliano looks up ‘Arna’s children’. This time it was a few days after the Israeli army invaded Jenin on April 3, 2002, killed more than 50 Palestinians and destroyed hundreds of homes.

    Juliano learned of the death of Youssef and Nidal. They had joined the Islamic Jihad. On October 27, 2001, they drove with their red Mitsubishi into the center of Hadera. They directed their M16 automatic rifles at passerby on the street. Four Israeli women were killed. Israeli forces nearby opened fire on them and killed them. The film shows Youssef and Nidal in a videotaped message. Youssef was 22 and Nidal was 23. They were shown standing in front of a picture of the 10-year-old Palestinian girl Reham Wared, who was killed a week earlier.

    We hear that Youssef witnessed the killing of Reham. She was hiding with fellow-pupils in a classroom when Israeli tanks shelled the Ibrahimiya Elementary School in Jenin. She was hit. Youssef was the only one who went inside the school and carried her outside. In his arms on the way to the hospital, 10-year-old Reham died.

    Juliano also learned that Ashraf was shot and killed during the battle in Jenin in April 2002. He was leading a group of resistance in the refugee camp. Ala had become a leader of the Aqsa Brigades. Zakaria, who also was playing with the theater group, also joined the resistance group, Ala was leading. Ala was with Ashraf before he was shot and killed.

    Arna’s son, Juliano, who today is one of the leading actors in the region, looks back in time in Jenin, trying to understand the choices made by the children he loved and worked with. Eight years ago, the theatre was closed and life became static and paralysed. Moving back and forth between various periods of uprising and the various ages of Arna’s children, we see the kids performing, which image turns into the picture of the same boy holding a M16 on a poster announcing his martyrdom.

    The film shows a child, Arna’s child, Ala sitting on the ruins of his home blown up by Israeli occupation forces growing up to become a fighter, leading the Aqsa Brigades in Jenin. On November 26, 2002, two weeks after his son was born, Ala, was killed in an explosion in Jenin refugee camp. Eventhough formally denying any involvement, Israeli security sources have confirmed this killing as an Israeli assassination. Shifting back and forth in time with excellent editing, the film reveals the tragedy and horror of lives trapped by the circumstances of the Israeli occupation. Speechless. Silent. I cannot move. I just sit here, watching the screen, reading the names of Arna’s children: Youssef, Nidal, Ashraf, Ala, and Zakaria.

  4. Reuven says:

    No mention of the fact here that Mer Khamis was almost certainly gunned down by Arab religious extremists because he was Jewish. And he was aware of the threat. His theatre had been firebombed by Palestinian extremists and he had received many threats. From an article on his murder today on Ynet.

    “Residents of the refugee camp disseminated fliers in 2009 calling the actor a fifth column. “If words don’t help we will have to speak in bullets,” the fliers said.
    The theater, which became one of the city’s main culture centers since its establishment five years ago, has sustained many firebomb attacks. In April of 2009 the theater’s door was torched.

    ‘Never been as Jewish as I am in Jenin’

    In an interview with Ynet that year, Mer-Khamis said he feared for his life. “But what choice do I have? To run? I am not a fleeing man,” he said.

    “I am an elite force man, formerly of the paratroopers. The only two things I gained from Israeli culture are Shlonsky’s translations of Shakespeare and adequate field training. Now I need it.”

    However, the actor added, he was taking precautions. Of those behind the fliers he said, “It makes them crazy that a man who is half-Jewish is at the head of one of the most important projects in the Palestinian West Bank and it is just hypocritical racism.”

    “I have never been as Jewish as I am right now in Jenin. After all this work at the camp it would be extremely unfortunate to die of a Palestinian bullet,” he added in a moment of clairvoyance.”

  5. Kathleen says:

    What a remarkable, peaceful and loving individual. Lit a candle at 6 p.m. for Juliano, his family and friends.

    May the person who committed this crime be caught and punished

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