Activism

From the Royal Albert Concert Hall to an Israeli Dungeon: Omar Saad, a young violist and conscientious objector

Omar Saad
Omar Saad

Omar Saad is the oldest of a quartet of siblings from the Galilee village of Maghar. The four are, indeed, literally a quartet, namely the Galilee String Quartet, composed of violist Omar, his two younger violinist brothers, and their sister, the ensemble’s ‘cellist.

When not performing as a quartet, their other musical accomplishments are no less interesting. The three brothers were featured members of the ensemble known as the Palestine Strings, a brainchild of Palestine’s National Conservatory of Music, when the eminent violinist Nigel Kennedy brought that ensemble to the stage of the Royal Albert Hall for a performance at the 2013 Proms. To a packed London audience of five and a half thousand people, Mr. Kennedy not only showcased them playing their respective instruments, but also improvising and singing.

They are ‘Palestinians of 1948’: Palestinians who were not ethnically cleansed from the land that became the Israeli state. Omar’s region of Galilee, in fact, does not even lie on the Israeli side of the 1947 Partition, but Israel seized it in late 1948 under Operation Hiram. Israel refused to vacate the region, and kept Maghar under Martial Law until 1966. The village’s proximity to Lebanon has left it vulnerable to more violence: During the 2006 Israel-Lebanon war, several people in Maghar were killed by Hezbollah rockets and cluster bombs.

When Omar turned seventeen in 2013, he received orders to appear at the IDF recruitment office. He replied with an open, polyglot letter to the Prime Minister and Defense Minister which read in part:

I am Omar Zahreddeen Mohammad Saad from Maghar village-Galilee. I received a summons to present myself at the recruitment offices on October 31, 2012 [but] I refuse to go… I declare myself as a conscientious objector and refuse to serve in any army … How can I carry arms against my brothers and my own people in Palestine? How can I be soldier at the Qalandia check point or at any other barrier when I have experienced the oppression of barriers? How can I prevent people from Ramallah visiting their city, Jerusalem? How can I guard the separation wall? How can I be the jailer of my own people when I know that most of them are prisoners of war and seekers of justice and freedom? … I declare it loud and clear: I am Omar Zahreddeen Mohammad Saad and will not be fuel for your arms or a soldier in your army.

At first, the IDF dealt with his refusal by ignoring it, ordering him to appear for conscription on March 3, 2014. But on November 27, this date was moved up, without explanation, to December 4, 2013. So on December 3, the Galilee String Quartet played together one last time, and in the morning Omar presented himself at the recruitment office, repeated his refusal to serve, and was taken away.

Most Arabs do not face the issue of serving in the Israeli military, because they cannot serve. Like the infamous ‘grandfather clauses’ of post-slavery United States, this keeps them from civil service jobs, since military service is a prerequisite. Omar, however, is Druze, and by Israel’s ethnically predicated laws, Druze must serve. This grants them a citizenship status one notch above that of other non-Jewish Israelis, but at a terrible price. In return they must take up arms in support of the same state that took their land, the same state that refuses to make them equal members of society. Most terrible of all, they will find themselves pointing automatic weapons at Palestinians in Palestine.

Having Druze in the military gave Israel the opportunity to demonstrate ‘accountability’ without convicting Jewish Israelis. Of the thousands of Palestinians killed by the Israeli occupation forces, only once was the killer was brought to justice—the Druze soldier who killed Tom Hurndall as that twenty-two year old British man attempted to sweep a Gazan child from harm’s way.

I have had the pleasure of working with Omar Saad at the National Conservatory of Music, in the Conservatory’s orchestra, and coaching chamber groups he played in. Like the American heroes who went to jail rather than collude with their governments’ crimes against Vietnam, Omar is a threat to Israel’s incessant war. His stance challenges both the Apartheid system within Israel, and its war of ethnic aggression beyond the Armistice Line.

His sacrifice offers us an opportunity to raise awareness of both issues.

Links :
Support Omar Saad Facebook page
Support Omar Saad Website
News video of Omar explaining his position
Video of the Galilee Quartet’s last meeting before Omar’s imprisonment
Wikipedia entry on Maghar

Update: This piece originally stated that Omar’s family has not been told what prison he is in. The family did then learn which prison he is in. Thanks to Nigel Kennedy’s agent, Terri Robson.

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Methinks that the Israeli army is being used by the state to punish Nigel Kennedy in absentia for including the Quartet in his Proms’ performance, and for making the pro-Palestinian statement.

I hope that someone, better yet, an organization with clout, will follow Omar Zahreddeen Mohammad Saad’s fate. The vindictive state of Israel will likely disallow him access to a violin. Not good for someone with professional aspirations.

Good Lawrrd! Is there no depth of depravity to which the apartheid state of Israel will stoop? Seventy years later, Germany is still paying, literally and figuratively for its 5-1/2 years of savagery. One wonders, what is the half-life for 65 years, and counting, of Israeli brutality?

That’s one less Palestinian in the way. The cleansing goes on and on. What other reason to move up his conscription date knowing all too well he’d still refuse to serve? The slimeballs couldn’t bear to wait until next March to have him thrown in jail. Vicious , vicious people.

Back last summer, when Nigel Kennedy presented the Palestine Strings (including the Saad siblings) at the Proms, in collaboration with his own ensemble, he stated near the end of the concert:

Ladies and gentlemen, it’s a bit hard to say it, but, we all know from experience from this night of music that given equality and getting rid of apartheid gives a beautiful chance for amazing things to happen.

When BBC aired the concert on television, Kennedy’s remarks were censored out:

Kennedy angered many members of the Jewish community earlier this month after using a performance of Vivaldi’s Four Seasons at the Royal Albert Hall to accuse Israel of practising “apartheid”.

His comments, at the end of a performance given by a group of young Palestinian musicians, were broadcast live on BBC Radio 3, which was carrying the concert.

But the corporation has since confirmed that the impromptu remarks, delivered by Kennedy from the platform before the encores, will be cut from the footage when the concert has its first television broadcast on BBC4 on Friday.

The Board of Deputies of British Jews applauded the decision but campaigners accused the BBC of “censoring” an “integral” part of the event.

The controversy comes two years after protesters disrupted a Proms performance given by the Israel Philharmonic Orchestra in London. [emphasis added]

http://www.telegraph.co.uk/news/religion/10258077/BBC-accused-of-censorship-after-cutting-Nigel-Kennedys-Israel-statement-from-Proms.html

Immediately after his comments, Kennedy shared the stage front with Omar Saad’s 15-year-old brother, Mustafa, in the slow movement from Vivaldi’s Concerto in A Minor for two violins.

Here is the concert, with the remarks restored. Kennedy makes his statement at 1:21:29.

http://www.youtube.com/watch?v=Yh25YnzHdjU

And the still pic that we can see before the commencement of the video shows Nigel playing with Omar himself. His thirteen-year-old brother Gandhi performs the first violin solo/duet with Nigel and sings a couple of mawwals during the concert.. It’s awful to think that they, Mostapha and Gandhi, will also have to face what Omar is facing. Their sister will suffer because of the loss of her brothers but she won’t be conscripted herself as they only force this ugly, occupation work, or alternatively, ugly incarceration, on young Druze males. I met an Israeli family in London who were passing by during an action recently, and they said that the reason they were in London was so that the son wouldn’t have to join the military. Apparently he can’t go back until he’s forty, which I assume is when people are free from reservist duty too. What a sh***hole!

I thought non-Druze Palestinian-Israelis were excluded from the military obligation. If that’s not the case, nevermind.

But if so, why did Israel decide to take this kid, and make such a point of it?

Was it because he played in London and they wanted him put away?