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February 2019

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Palestinians took to the streets in Hebron to commemorate when a US-born Israeli settler named Baruch Goldstein opened fire on Palestinian worshippers in the Ibrahimi Mosque in 1994, killing 29 and wounding more than 100. The protests this year were held at a time of heightened tensions in the city following the Israeli government’s expulsion of international human rights observers from the city.

That Israel’s own mouthpieces, including AIPAC, openly admit to using campaign cash to push pro-Israel legislation, should end any ambiguity: Ilhan Omar and all sensible citizens were being gaslit in the name of preserving the status quo and its decades of silencing Israel’s victims. This was especially clear in the liberal Zionist attacks on Omar, which sought reduce her criticisms of the lobby to little more than an anti-Semitic fantasy.

Images of Reps. Rashida Tlaib (l) and Ilhan Omar

In 1982 Jane Fonda could support Israeli troops invading Beirut because Israel still had some luster of its socialist beginnings. Now the ideological winds have fully shifted, Helena Cobban writes, and Israel’s supporters don’t use moral arguments to justify American backing, but “strategic” role in countering America’s supposed enemies.

Prime Minister Benjamin Netanyahu has been working hard to make sure a racist, xenophobic, homophobic Ultra-Right wing party called “Jewish Power” that has roots in the banned “Kach” party gets into the next Knesset in the April 9 election so that he can maintain a right-wing coalition and stay in office, Barak Ravid reports.

“Even a thousand films on the Nakba would not suffice,” says Ahlam Muhtaseb, co-director with Andy Trimlett of a new film, “1948: Creation & Catastrophe,” which is based in part on interviews with survivors, many of them of advanced years. The film has been subject to protests by Israel supporters, and a screening in West Hollywood was scratched under pressure in December, now rescheduled for March. Stephen Shenfield interviews the co-directors.