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Alice Rothchild

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A folk dance troupe in Kibbutz Dalia, January 5, 1945. (Photo: National Photo Collection of Israel, Photography dept. GPO)

Alice Rothchild grew up with a deep love for Israel, the redemptive, out-of the-ashes, kibbutz-loving, feisty little country that could do no wrong. Yet she writes, “it is often said, if we don’t know our history, we are destined and doomed to repeat it.”

If we do not distinguish between valid critiques of the policies of the Israeli state and anti-Semitism, we are allowing rightwing forces to weaponize anti-Semitism, suppressing freedom of speech and open debate, and making the term anti-Semitism meaningless at a time when it is critical to identify and oppose it.

“The night is filled with the anxiety that any interaction with Israeli security triggers. We leave all of our suspicious material on Palestine, human rights, and any evidence of an interest in justice in an extra bag in Amman to retrieve on our return, and arrive at Allenby Bridge at 7:30 am.” — Alice Rothchild on entering Palestine from Jordan.

Alice Rothchild is inspired by a visit to the Alrowwad Cultural and Arts Society in Aida refugee camp in occupied Bethlehem. Abdelfattah Abusrour founded Alrowwad 21 years ago in a mission to serve the needs of the community, and give children and young people every possibility to live rather than to die for their country.

More than 2 million Palestinian refugees in Jordan are served by UNRWA and Alice Rothchild visits the Nuzha camp in Amman where refugees get vital services from family planning to mental health counseling. The school is tidy and sparkling with an atmosphere of infectious enthusiasm. One girl asks: “Is America beautiful?”