Author

Emad Moussa

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Fifteen years ago Israel left its settlements in Gaza, and Gazans dreamed that the end of military checkpoints to protect Jewish settlers and bulldozed citrus groves and barriers to the Mediterranean Sea meant an end of occupation. What a savage illusion that was, though Emad Moussa recalls the dreams of that day.

As annexation is put into gear, Palestinians feel that occupation is becoming an eternal fate. Emad Moussa reviews an Israeli film seeking to explain the occupation, Foxtrot, and finds it is all about Israeli trauma: “The only scene of Palestinian death in the film is reconfigured as a metaphor for Israel’s internal and transgenerational trauma, repression, and guilt.”

In order to legitimise the Jews’ right to Palestine, Zionism sought to delegitimise the Palestinian existence in the land. That involved a largely psychological process of ‘nativisation’ of European Jews and ‘de-nativisation’ of Palestinians. The term ‘Arab’ was one of the tactics used to achieve such goal.

The Netflix series “Fauda” attempts to rewrite the cliched one-sided Hollywood narrative of the conflict, but only to a point. It has a hierarchy of victims, in which Jewish Israelis are at the head of the line, and repeatedly slips back into all-too-common Israeli narratives about the Other.