Hatim Kanaaneh


Hatim Kanaaneh reviews Rashid Khalidi’s latest work ‘The Hundred Years’ War on Palestine’: “Though I have read a good number of histories of Palestine, I hardly turned a page in Rashid Khalidi’s new book that didn’t surprise me with new and well-documented information about my own history.”

Last week, the German Parliament passed a resolution that demonizes the Palestinian Boycott, Divestment and Sanctions campaign against Israel. Hatim Kanaaneh writes to German politicians, “you dare to pass judgement on us for peacefully demanding our rights under international law. Now you have the audacity to ascribe to me your predecessors’ innermost ugly sentiments in order to aid and abet our continued victimization as surrogate Germans and anti-Semites.”

A surprising musical ensemble called Siraj in a Palestinian village in the Galilee has overcome discriminatory and cultural hurdles to put on professional performances and innovatively adapted some of the iconic pieces of Arab composers and singers from the 20th century, from Um-Kalthoom to Fairuz. Hatim Kanaaneh reports.

Amos Oz was a refined literary craftsman, writes Hatim Kanaaneh. But he also “functioned as the literary equivalent of Shimon Peres, the Nobel Peace prize laureate who introduced nuclear weapons to the middle East. Oz used his superior skill to apologize for Israel’s aggressions and war crimes.”