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The controversy over the Oscars joke that Jews run Hollywood

Below is video of the infamous “you want to work in this town?” joke about Jews running Hollywood, delivered by a teddy bear called “Ted” created by Seth MacFarlane, at the Academy Awards Sunday night. It’s getting a lot of attention. Note that the talking bear says it’s important to give money to Israel to work in Hollywood, and that Mark Wahlberg is hurt by being Catholic– before Wahlberg shuts him up.

The Wiesenthal Center is enraged. An Open Zion columnist calls it an “anti-Semitic canard.” The ADL also condemns age-old anti-Jewish stereotypes.

This is a slightly absurd conversation. The overwhelming Jewish numbers in Hollywood are no canard; and in a diverse society, people evidently want to talk about that, so they joke about it (as they joke that the Israel lobby runs Congress). JJ Goldberg at the Forward, who (while arguing defensively that the joke has the “power to kill. Right now, in today’s world, given the worldwide audience of the Oscars, it’s like shouting ‘fire’ in a crowded planet”) concedes that “the strong presence of Jews in Hollywood surely has some sociological and cultural implications.”

If anybody can genuinely be said to control Tinseltown, it’s probably the 25 people who run the 12 main film studios—that is, the chairman (in one case, two co-chairmen) and president of each. Of those 25, 21 are Jewish, or 84%. That’s simple math. You could define “control” differently—throw in the top agents and producers, leading directors, most bankable stars and so on—and the proportion of Jews would drop, but it probably wouldn’t get down anywhere near the 50% mark. There’s a reason why Nate & Al’s stays in business.

And when Brando was called on the carpet in 1996 for asserting on Larry King that Jews “own Hollywood,” 19 of 20 top studio execs were Jewish, Goldberg says.

The issue in my mind is whether we’re all grownup enough to talk about these things without having pogroms, and I think we are. I’ve written here before that Jewish kinship networks are important professionally; most of my work in journalism has come from Jews with whom I share culture and language (very much the way Jodi Kantor got her job at the New York Times). People have a right to discuss these matters in a critical manner: in the ’60s sociologist E. Digby Baltzell, himself a WASP, helped break down Protestant discrimination against Jews in board rooms and back rooms with a book bewailing discrimination called The Protestant Establishment: Aristocracy and Caste in America. Nick Lemann also ascribed a religious character to that former establishment when he called it “the Episcopacy” in his book on the meritocracy. So– what’s good for the goose… Lately Ron Unz, a Jewish meritocrat himself, published a study, The Myth of the American Meritocracy, saying that the Ivy Leagues, which he calls “the funnel” for the ruling elite, have student bodies that are 25 percent Jewish in some large part because Jews in the college admissions are looking for people like themselves. When he spoke at Yale in January, and a Southern Baptist in the audience questioned him, Unz established that there were two Southern Baptists in the audience, and said they ought to be better represented in the Ivy’s. He believes Jews are empowered and secure enough in a diverse liberal society to have this conversation. So do I.

Disclosure: This article contains reference to Ron Unz, who was a financial supporter of our website at the time the article was published.

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The most humorous thing about simply noting the disproportionate amount of Jewish people in positions of power in Hollywood being termed a supposed “canard”; is there are certain “triumphalist” Jewish figures who have BRAGGED about this to a large extent! So are they part of this same alleged “canard”??!

http://en.wikipedia.org/wiki/An_Empire_of_Their_Own:_How_the_Jews_Invented_Hollywood “An Empire of Their Own: How the Jews Invented Hollywood”

http://www.youtube.com/watch?v=Q2YZws9xYEQ video of “An Empire of Their Own”

It’s interesting that the Israeli Consulate in New York thought it was funny and tweeted about it immediately after:

Thank you Theodore Shapiro for your support! #oscars #ted

https://twitter.com/IsraelinNewYork/status/305878472121806848

All this “run by Jews” stuff is not important. Really. What is important is the degree to which this “run by Jews” fact (it is a fact) translates into cultural or political propaganda (because film is, inter alia, a propaganda medium).

So it these Jews are Zionists, or act as if they were (which they might because, perhaps, they have Zionist friends they’d like to please and not offend), then they do propaganda work for Israel. The proof is in the pudding.

Next year at the Oscars, the joke should not be about “Hollywood is run by Jews” but “Hollywood is run by Zionists”. (If it is.)

“Secret synagogue meeting…” MacFarlane is also poking fun at the Jews-run-hollywood idea too. I mean MacFarlane, whose career is in no danger, is hosting the most important show in Hollywood making this joke which claims unless one kowtows to Jews a career will end. Its not antisemitism and its no sign that that gates are now open to discuss a taboo. Its a joke.

Jewish individuals do disproportionally run hollywood, but do The Jews run hollywood in a way that is somehow Jewish? Meaning the way Eddie Murphy once imagined how white people treated one another at banks and on the bus when no blacks were around. I don’t see that.

The one thing that I find amazing about Hollywood is the sheer number of blockbusters that have a plot line about minority or indigenous populations being forced to battle the larger Imperial / colonial power that intends to wipe them out.

Does no one see the irony when watching these flicks?

Off the top of my head:

Star Wars
Avatar
Dances With Wolves
Schindler’s List
The Matrix

Anyone want to add to these?