In “Three Worlds: Memoir of an Arab Jew,” Avi Shlaim declares his identity clearly as an Arab Jew — an Arab by culture, history, and geography and a Jew by faith. His identity was destroyed by Zionism and by the Ashkenazi European Jews.

Palestine’s Amwaj Choir has embarked on an ambitious eight-stop tour of Italy, which includes performing the opera “Amal — Oltre il Muro” based on the work of imprisoned Palestinian writer Walid Daqqah.

A new documentary unpacks the confluence of Judaism and pro-Israel fervor in the American Jewish community and the young Jews who are coming to reject it.

Abdul Rahman Katanani’s art is not an identification with the refugee camp’s misery, but an attempt to show all that is beautiful and painful in it, showing the camp to those who can’t enter it, those who don’t want to, and those who fear it.

Abba A. Solomon’s new book, “Miasma of Unity: Jews and Israel,” chronicles the search for a Jewish identity not inextricably tied to Israeli Apartheid.

Gaza’s vibrant culinary traditions are being warped by the Israeli blockade, and the seafood that used to be the product of cultural exchange across the Mediterranean is now changing to adapt to Israeli restrictions. 

In this animated short, Leila Warah tells the story of her family, who was forced out of their village, Deir Aban, during the Nakba. Leila’s story of exile and denial from her homeland is shared by millions of Palestinian refugees.

75 years after their displacement, refugees in Gaza are preserving their cultural heritage through folklore and song. These songs tell a story of resistance and longing for Palestine.

Nakba is 75 years of what is happening to us, not what happened.

Nothing remains. But in the traces– Everything remains.

Complicated themes of exile, marginalization, death, and history recur throughout (post)colonial fiction. It is no surprise that Palestinian students in Gaza connect with them on a personal level.