Israeli demonstrations have been Zionist-only. If Israeli liberals cannot make common cause with Palestinians, they will go extinct and have only themselves to blame. They will have thrown in with a rampaging society in the name of Jewish supremacy.

If one wonders how the nickels, dimes, and dollars collected in churches across the U.S. shape politics in Congress and Israel, director Maya Zinshtein’s film, ‘Til Kingdom Come, is required viewing. 

Susan Abulhawa responds to the campaign to ban her from the 2023 Adelaide Writers’ Week festival.

Vera Tamari’s intimate story of her family’s life before 1948 allows us to dream of how life might have been in Palestine if the Nakba had never happened.

Fida Jiryis’s narrative of exile and return weaves together her reflections on Palestinian identity, the pain of loss, and the ongoing Nakba.

Nada Elia’s new book transports us across the globe to center women and queer peoples’ position in joint struggle and imagines a new future for Palestinian resistance.

Adel Manna’s new history of what happened to the Palestinians who remained in what would become the Israeli state after the 1948 helps us understand how the Nakba was made of many personal Nakbas.

The Mariyamiya songs aim to collect folkloric Palestinian songs and document the Palestinian desire to be free from the ravages of occupation, apartheid, and settler-colonialism. They are part and parcel of the collective memory of the people of Palestine.

Adania Shibli’s spare and haunting novel charts two lines, the shift in consciousness between the Nakba era and contemporary times, but also the trajectory that remains constant: racist violence. 

“Light in Gaza: Writings out of Fire” is a hopeful gift from Gaza, reminding us that all of Israel’s power has not, and will not, defeat the Palestinian will to rise and the determination to create a new society where all can thrive.