In a year of overlapping genocides in Palestine, Sudan, Congo and Tigray Solange’s Eldorado Ballroom concerts allowed the audience a much-needed space to process, shout, and cry out to God, in community.
Walid Daqqah’s writings were fundamentally linked to a deep-seated worry about the future. While he mourns our collective Palestinian condition, Daqqa also reminds us that the future carries hope.
A poem for those mocked and gaslighted for decrying the genocide of the Palestinian people.
Kol Nidrei on Yom Kippur is one of the unruliest, most liberating, and anarchic Jewish texts. It is our heritage of refusal. We need it today, more than ever, to liberate ourselves from the curse of Zionism that colonized our diverse Jewish worlds.
What prevents us from seeing and comprehending the catastrophe in Gaza? And why is there silence?
If the war stops now, who will bring back our loved ones who were killed in cold blood?
The new book “Daybreak in Gaza: Stories of Palestinian Lives and Culture” seeks to push back against the dehumanization at the heart of the Gaza genocide by illuminating the human spirit of a place under attack.
Before the genocide in Gaza, Haidar Eid performed a rendition of Ahmad Fouad Negm’s “If the Sun Sinks,” a poem that beautifully mirrors the contradiction Palestinians now face between the ongoing horror and the hope for liberation.
Bayan Abu Nahla’s artworks belong to the state of love and longing that we call Palestine.
Nasser Abu Srour’s “The Tale of a Wall” joins a long tradition of Palestinian prison literature but is far more than a prison memoir. Through his evocative prose, the author transforms the question of Palestine into a question of the human condition.