The documentary film by Yuval Abraham and Rachel Szor follows the predictable script of the regretful soldier, but the subjects in NAZA express something darker: mourning the loss of power.
In scattered tents across Gaza, families once bound by shared meals and evenings by the sea now focus solely on survival. The rituals that once bonded fathers to their children, or women to their neighbors, have been shattered by Israel’s genocide.
In Gaza, an entire generation of children born into the genocide has no memory of how life was like before, and doesn’t know about the world outside Gaza’s walls.
Israel is trying to hide its crimes by banning international reporters from entering Gaza. We must reject this apartheid system of access.
As NAZA draws global attention to the Gaza genocide from the perspective of Israeli génocidaires, a lesser-known Palestinian documentary looks through the camera of a Palestinian journalist trying to document devastation while keeping his family safe.
Four Times reporters, 53 paragraphs, and no mention of AIPAC’s new stealth strategy: hiding Israel and running ads on unrelated issues in primaries.
Can a temporary consensus government advance Palestinian self-determination in the homeland and the diaspora?
After three years of genocide, two decades of a criminal siege, and a century of occupation, we must confront Zionism from all directions until Palestine is free.
Ahead of the one-year anniversary of the so-called ceasefire in Gaza, we look at a brief timeline of a long-established Israeli practice of sabotaging negotiations and violating ceasefire agreements to advance their goals.
The struggle for Palestinian liberation is a threat to the global world order. That’s why no one is “stopping” Israel.
Three years after October 7, Israel’s reputation has fallen apart among the U.S. population, but the architects of the genocide have yet to face accountability
Settler attacks in the West Bank are ongoing with the enthusiastic approval of the Israeli army, as Palestinians are barred from accessing their own land, and their olive groves, for the fourth year in a row.
The documentary film by Yuval Abraham and Rachel Szor follows the predictable script of the regretful soldier, but the subjects in NAZA express something darker: mourning the loss of power.
Three years after October 7, Israel’s reputation has fallen apart among the U.S. population, but the architects of the genocide have yet to face accountability
Settler attacks in the West Bank are ongoing with the enthusiastic approval of the Israeli army, as Palestinians are barred from accessing their own land, and their olive groves, for the fourth year in a row.
Palestinian journalist Bisan Owda reflects on three years of genocide in Gaza, a life lost forever, and her unending work to tell the truth.
In scattered tents across Gaza, families once bound by shared meals and evenings by the sea now focus solely on survival. The rituals that once bonded fathers to their children, or women to their neighbors, have been shattered by Israel’s genocide.
Israel is trying to hide its crimes by banning international reporters from entering Gaza. We must reject this apartheid system of access.
Can a temporary consensus government advance Palestinian self-determination in the homeland and the diaspora?
Ahead of the one-year anniversary of the so-called ceasefire in Gaza, we look at a brief timeline of a long-established Israeli practice of sabotaging negotiations and violating ceasefire agreements to advance their goals.
Four Times reporters, 53 paragraphs, and no mention of AIPAC’s new stealth strategy: hiding Israel and running ads on unrelated issues in primaries.
Since the start of the genocide in Gaza, the so-called paper of record has begun to update its language on Israel, reflecting a larger shift in US public opinion.
Robert Kraft got Macklemore ousted from Ed Sheeran’s tour over “Free Palestine.” A look at the NFL owner’s record makes it clear why: funding the IDF, fighting BDS, courting Netanyahu, and bringing football legends on tours of Israel.